The latest Hollyweird controversy from Paedowood is all about a new Christopher Nolan film – apparently, the famously spergy director wants to bring The Odyssey to the big screen.

Now, normally, the words, “A Christopher Nolan Film”, translate to, “GUARAN-DAMN-TEED BLOCKBUSTER”, in almost every language known to Man. This is due in no small part to his skills in bringing Batman to life in the “Dark Knight Trilogy”. Not everyone liked it – especially the third instalment – but I really did.

Indeed, if you look at the films that Nolan has directed, they read like a “greatest hits” list of a legendary Boomer rock band.

Memento. The Prestige. The Dark Knight. Interstellar. Tenet. Dunkirk. Inception. Oppenheimer. All of those films, regardless of what you think of them, force you to think, one way or another. He has a reputation for attention to detail and an eye for practical effects, which is why his movies feel grounded, weighty, and solid – even the most fantastical sequences in Inception, still somehow felt real and profoundly powerful.

So one really has to ask what the hell Nolan was smoking with some of his casting choices for The Odyssey.

Let us start with the casting of Lupita Obongo, or whatever her name is, as Helen of Troy – and as her sister, Clytemnestra.

This is Ms N’dongo, put side-by-side with the previous Helen of Sparta/Troy, Diane Kruger, from the actually very good 2004 film, Troy:

Hang on, there is a suitable GIF for this:

This is not only a ridiculous casting choice, it makes absolutely no sense given the source material. All you have to do, is to remember that Menelaus’s wife, Helen, was a stunningly beautiful woman from Sparta – a warrior culture that not only expected but required women to exercise and maintain their figures. There is a reason why Helen was said to have a face that launched a thousand ships, resulting in an epic 10-year war that destroyed the city and people of Troy.

Casting an ugly short-haired Wakandan in the role of a fair-skinned, fair-haired Greek princess, makes about as much sense as making a POWALIFTAH!!! like me, run a marathon. It just ain’t gonna happen.

And then, of course, there are the rumours of the casting of one “Elliott” Page – who started life as Ellen – as Achilles.

This has not been confirmed as of yet, but the memes it has spawned, are LEGEN– wait for it – DARY:

Yes, it’s all AI goyslop, but it’s FUNNY slop, even so.

Slightly more seriously – but not by much:

It is worth pointing out that Paedowood, at this point, needs a very severe ass-kicking. And Nolan’s wokefest might just be the vehicle to deliver it.

This is a $300 MILLION blockbuster film, designed to put butts in seats in expensive movie theatres, at a time when Paedowood is very clearly straight out of ideas. The film will have to make a MINIMUM of around US$700 million, just to break even. And that is a tall order, even for a director as legendary as Christopher Nolan.

Make no mistake, he is one of the very few directors in Paedowood who could fill an entire theatre just on the basis of his name alone. You could probably count the number of such people on the fingers of one hand – Spielberg, Scorsese, Villeneuve, and… well, other than Nolan, that’s about it, really. And Nolan has the track record to support the view that The Odyssey could indeed be a huge hit. Oppenheimer made US$954M in 2023; Dunkirk made US$527M in 2017, which adjusted for inflation comes to around US$660M; and even Tenet, which no one understood, made US$365M during the darkest days of the Scamdemic, which comes to around US$430M today. (Source for all numbers above.)

However, in this one case, the wokeness of this entire venture, along with its absolutely appalling historical inaccuracies, makes it a prime target for a film boycott by audiences who are sick to death of being preached at and lectured by the literally Satanic Paedowood elites.

I am not kidding about the historical inaccuracies, either. If the commentaries by genuine historians and linguists – like, say, The Metatron – are anything to go by, Nolan said in public that he intended to keep the film as accurate as he could against the source material, yet profoundly violated that very same creed in almost every shot of whatever little stuff we have seen thus far:

And there is quite a lot more of that sort of thing, floating all over TEH INNARWEBZ.

This is not merely one instance of a director running all the way past full retard and on to potato. Nolan has somehow managed to do the nearly unthinkable and enrage AN ENTIRE COUNTRY. The Greeks themselves are up in arms about this film – you would think, given the problems they have, that they would occupy themselves with other things, but then again, Nolan has likely desecrated their cultural heritage, and the Greeks tend to take rather a dim view of that sort of thing. Just ask the Limeys. The Greeks still, to this day, have severely chapped asses about the Elgin Marbles – which I have seen many times personally, displayed in the British Museum in London.

No, this outrage is different, because Nolan and the Paedowood elites have insulted the heart of the Graeco-Roman philosophical and historical tradition that is one of the pillars of European civilisation – whatever is left of it, anyway. And people are just not having it any longer.

This is very much to the good. Our myths and legends, whether ancient or modern, are no longer treated with respect by the storytellers who are supposed to do them justice, and the ordinary people are not standing for this.

Just witness what happened to the latest Master of the Universe film. It belly-flopped so hard that the Paedowood execs who greenlit the thing must STILL be feeling the pain:

And why did it flop?

Because the writers and directors tried to mock the very concepts of masculine honour, virtue, strength, and competence, by depicting King Randor and Man-at-Arms as puffed-up vainglorious fools, or some such. (I have not seen the film, and will not bother with it unless I, uh, find it on the high seas, so to speak.) The fact that they race-swapped Duncan, is just another insult heaped on top of what appears to be a cynical cash-grab of a film anyway.

The only way Paedowood and the vampiric elites who keep doing this shit to us will stop, is if we force them to do so, by making them fail so badly that it hits them right where it hurts – in their pockets. It will not be enough, of course; the whole of the Hollywood Hills requires the Sodom-and-Gomorrah treatment, and for some reason, the Big Fella Upstairs still is not quite in the mood to “celebrate Pride month” the right way, as He did back then.

So – don’t bother watching The Odyssey, or anything else coming out of Paedowood. It is all a Satanic inversion of reality, from start to finish, nowadays. There is nothing good to see in any of it.

If this movie craters and loses Paedowood a few hundred million dollars, then that, more than any number of videos or media campaigns or angry letters, will send the clearest possible message.